MOCA reflects on Urs Fischer's memorable works

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The question of “where does the art begin and where does it end?” is not a problem for Urs Fischer.

For Fischer, art is everywhere. His visionary works contort our reality, linking back to the Pop Art, Surrealist, and Dada movements.

Fischer’s retrospective at MOCA explores disarray and distortedness. Fischer is known for transforming elegant and simple items into disfigured sculptures. In one installation called “Untitled,” a colorful pastel bed, sits in the middle of the room, the bed frame mangled. In a separate room, a bed folds inward into a pile of gray rubble. “Frozen Pioneer,” a pink lamp post, appears to be melting and sagging.

While visiting the Fisher retrospective, you might notice a strange, yeasty smell permeating the gallery. If you want to find the source of the smell, take a better look at Fisher's bread house — a massive structure made entirely from bread. This isn’t the only instance Fischer showcases his love for food as art. “Lie to a Dog” features a wedge of cheese with a bolt running through the center. In another work an array of fruit hangs a few inches off the ground.

Fischer flaunts his sense of humor with his two “Problem Paintings.” — the problem being a lemon slice and a banana peel obstructing the subjects of the two portraits.

Fischer’s retrospective leaves you feeling a bit of everything – curiosity, confusion, happiness, and mostly awe. His explorative and ambitious use of the MOCA galleries should inspire viewers to consider the “art” present in everyday life. The exhibition will run until August 19 at MOCA Grand Avenue and the Geffen Contemporary. Admission is $7 and you can visit moca.org for more information.